Mammaplasty with L-shaped scar

Chapter 12 Mammaplasty with L-shaped scar


It is important to understand why a breast is considered to be beautiful so we can recognize any esthetic changes and correct them. Beautiful is an adjective that determines what the human vision can capture from shapes, volumes, proportions, outlines, lights, glows, shadows, colors, movements, and postures. It is optics, physics, and mathematics; it is nothing subjective but is purely objective.

Throughout human evolution the limbic brain systems have been marked out with the attractive features of what is visually beautiful. One mathematical proportion (Phi) has been repeatedly stated to be found in beautiful general forms until the present. “There’s probably a natural connection between the sense of beauty and efficiency that is biologically necessary for individual survival. Phi seems to present single and wonderful properties. It is a quality that for some reason attracts attention, and it is registered in the limbic system such as beauty, harmony and balance”.1 Phi is a universal constant ratio of 1/1.618 (Fig. 12.1).

The Greek philosophers Plato, Aristotle, Pythagoras, and Euclid studied the proportion Phi (1/1.618) known as the Phi ratio and felt that beautiful creations respected certain geometrical laws displaying harmony.2 It is not known when the Phi ratio was first described or applied but it has always existed in the fields of mathematics and physics. Because the Greek sculptor Phidias used that proportion so much, it was called Phi, the Greek letter for the first part of his name. This proportion was also described by Leonardo Fibonacci of Pisa, in his development of mathematical sequences. Leonardo da Vinci called it the “golden proportion” and used it in Vetruvian Man. It has been used in the design of such classic edifices as the Parthenon. Botanists have found it in phylotaxy.3 In the twentieth century there were psychological studies about significant preferences for structures containing the Phi proportion.4

Proportions and Anatomy of the Beautifully Shaped Breast

Shape and Volume

A beautifully shaped breast can be analyzed from a three-dimensional point of view (frontal, lateral, and vertical), from which the possible esthetic distortions are also reflected.

The shape of the breast contains and molds its volume. Individual will, period, cultures, and fads have determined a range of desirable volumes over time. Volume and shape are different aspects and must be analyzed separately. If a breast contains or approximates the golden ratio, it is considered beautiful, even if the volume is not.

We propose three views based on Phi to determine the three-dimensional beautiful breast: golden ovoid (frontal view), golden triangle (lateral view), and golden cone (vertical view).

Frontal View

Considering the shape of the breast as an irregular cone, the horizontal diameter is smaller than the vertical in a ratio of 1 to 1.3. This ratio is the consequence of the application of Phi to the vertical axis with the shape of the golden oval (Fig. 12.2A–C). The axis ABCD (Fig. 12.2A). is the breast meridian line (BML) and it is comprised of two other horizontal lines: the lowest horizontal breast line (LHBL), which connects the inframammary sulcus where it meets the breast meridian line (points I); and the highest horizontal breast line (HHBL), which connects the highest point of the two anterior axillary folds. The vertical measure between both lines is a single mark for each patient, determining the vertical extension of the base of the breast. Applying the ratio of 1 to 1.3 to this, the consequential and proportional lateral extension is obtained.

From the frontal view of the breast, when there is skin flaccidity, there will be ptosis; the vertical and horizontal axes tend to invert their proportions – the vertical decreases and the horizontal increases – and cleavage is diminished. The points I remain unaltered.

Diagnosis of Breast Shapes and Volume Alterations

According to the frontal, lateral and vertical views (base and cone projection without ptosis), it is possible to observe the various shapes of the breast and to classify hypomastias and hypertrophies (Fig. 12.5A, B).

Flaccidity (Ptosis)

The breast grows, stretching the skin as a skin expander. The direction of growth is three-dimensional until various shapes and volumes are achieved, consistent with hormonal stimulation and the amount of “sprouting”. Only at the end of the growth process do we observe the final shape and volume and amount of ptosis.

The anteroposterior growth projects the breast into space and subjects it to gravitational forces; progressively the breast falls, except at point I of the inframammary sulcus. This ptosis starts after puberty and continues throughout life (Fig. 12.6).

The elastic resistance of skin, shape, and volume will determine how the ptosis of the breast will be as time passes, during pregnancy and breastfeeding, after sun exposure and diseases, etc.

One can measure the ptosis, and choose the technique of skin resection and even predict approximately the length and final shape of scars.

In lateral view: the thorax is considered to be a vertical plane and the breasts are placed on it. If we observe no ptosis, it is like the initial description, above plane A with no ptosis. The falling breast (where planes A and M coincide) still has no mammary ptosis is still zero (on the breast borderline). The superior upper pole is partially emptied. As the ptosis continues, plane M will exceed down the plane A. Ptosis is installed (Fig. 12.7A).

In the frontal view: the vertical diameter is reduced, and the horizontal widened; they have reversed themselves. The upper pole is empty. The distance between points A and M on the meridian that crosses the two planes will quantify the ptosis in centimeters, and consequently the amount of skin to be removed in the mammaplasty. The plane A and point I remain unchanged throughout life. Now with the reversal of the increased diameter of the base, the vertical is smaller and horizontal is greater and the beauty of the breast shape has been lost. In practice, with the patient standing, one can get the mammary meridian, and three points: A, projection of point I over the breast, in plane A (Fig. 12.7B); M, the apex of the mammary cone on the mammary meridian, and I (crossing the meridian with the inframammary sulcus). Point M is not the papilla – it should be, but this may be “ectopic” in relation to the apex of the breast from irregular growth of the mammary cone during puberty.

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Jul 23, 2016 | Posted by in Aesthetic plastic surgery | Comments Off on Mammaplasty with L-shaped scar
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